Okay, it has been a couple of days and I can start thinking straight again. My car not starting after leaving the bar Saturday night weakened my excitement just a tad though. As it is being worked on this very moment, I can take this time to reflect on the best of the three shows so far.
My main thought on the whole night is that I would have loved to see that very same show with a completely neutral audience. I believe it would have been the tightest and toughest voting decision of everyone that saw it. Each team had a clear case for themselves. That being said, I think the winner deserved to win. But still, everyone did such a great job, I can't help but think of what a crowd of neutrals would have thought.
Okay, now the teams.
The three ladies of Spite (Trish Berrong, Nikki DuPont & Megan Mercer) started the night off with a bang. To be an all women team AND go first in this event is a tough challenge. I thought that, but I know the ladies didn't. Great scene work, great characters, great relationships, great sense of play, great everything. If there was anything critical I could say about it, it would be that their scene edits, which were simply starting the next scene with the last line of the previous scene, were often drowned out by laughter from the audience and therefore kinda hard to tell if a new scene had started or not. Also, one of the ladies seemed to do most of the editing. But those were so small that it didn't effect the performance at all. I just notice those things.
Then came the three men of TBA (Pete Calderone, Micheal Montague Jr & Josh Steinmetz) delivering the ballsiest set of the night, a rock/opera piece entitled "Soundtrack of your Life" complete with instruments. After what was a week of behind the scene drama dealing with the men of TBA and the ladies of Spite (Put the two together and you have the troupe Tantrum that performed at 7 before Thunderdome), that can only be described as an Andy Kaufman-esque all-team rehearsal that was orchestrated by TBA, I was worried about their performance. Come show time though, they delivered. First with a guitar, then with a keyboard, and finally with a violin??? Yep. Their all-male musical love triangle was awesome, and well executed. It ended with a nice all-instrument, all-singing, light-fading ending number. TBA was the only piece that had multiple applause after scenes. If there was anything critical I could say about it, it's tough to do an all-male show without there being a little gayness, it's tough. TBA fell down that trap, i believe. But nonetheless, out of all the sets, this one I would love to see again.
Finally Makeshift Militia (Magie Hogan, Ryan Meharry, Grant Prewitt & James Nelson) exploded on stage with a great song, a great chant, and just pure young college energy. Yes, they had brought the most audience. Yes, that audience probably knew who they were going to vote for before the show even started. But still, if Makeshift would have come out and presented something awful and still won, they would have not been respected by the improv community. It's a good thing that didn't happen. Their story line piece that revolved around a father and son, 2 government officials, and a robot was very entertaining. Their relationships were strong and emotional. This set probably involved the most realistic emotional choices of the whole night. If there was anything critical I could say about it, the piece itself was very similar and formulaic to a piece that a team presented the previous month. But after seeing what they did at rehearsal, I know this was clearly a coincidence.
In the end, after a night of three very solid performances that each had a clear shot at getting anybody's vote, the team that brought the most people won. But still, everyone did such a great job, I can't help but think of what a crowd of neutrals would have thought.